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Chapter 3 - The Photograph Behind the Flowers

I went home with my wages in my pocket and a police officer's number written on the back of a receipt.

My studio apartment looked exactly as it always had. The radiator clicked beneath the window. A dish stood in the sink. The little plant I kept forgetting to water leaned toward the streetlight. I had never been so grateful for ordinary things.

I locked the door, washed my face, and tried to sleep.

Instead, every time I closed my eyes, I saw a throat moving beneath funeral lilies.

By morning, the entire city knew that Aleandro Caruso had awakened at his own funeral. News vans stood outside the Belmont estate. A television host called it a medical miracle. Another asked whether the funeral had been an elaborate stunt.

Nobody on television mentioned the way his pulse had felt under my fingers.

At nine, Detective Lena Ortiz called. She said my statement mattered because I had been one of the only witnesses to touch Aleandro before the ambulance arrived.

"Can you come to the station?" she asked.

"Will Mr. Caruso be there?"

"No. He's under observation at St. Catherine's."

I agreed. The police station smelled of coffee and paper, which was a considerable improvement over lilies. Ortiz was in her forties, with a careful manner and tired eyes. She listened while I described the six-hour reception, Felix's instructions, and the envelope tucked beneath the flowers.

"Did you see anyone take the envelope?"

"No. I was being grabbed by two men, and then a dead man sat up."

That earned me a brief smile.

Ortiz turned a notebook toward me. "Let's go through the room. People in places. As much detail as you remember."

I drew a rough outline. The casket against the east wall. The catering doorway. The chandeliers. Matteo beside the portrait. Dr. Bell entering only after Aleandro woke. Felix near the side entrance.

Something bothered me as I drew.

"The flowers weren't in the same position when Marco searched them," I said.

"Explain."

"The tallest lily was bent toward the casket when I checked his pulse. Later it was facing the room. Someone rearranged the stems."

Ortiz wrote that down. It was the first time anybody had treated my observations as evidence instead of an interruption.

She showed me a photograph taken by the event photographer before the funeral reception began. I recognized the enormous arrangement immediately.

And there, just beneath the pale petals, was the corner of the ivory envelope.

"May I see it closer?"

Ortiz enlarged the image. A tiny embossed symbol appeared along the flap: an eight-pointed star within a circle.

"Does it mean anything?" she asked.

"Not to me."

She tapped the photograph. "It might to someone else."

I was nearly finished when a second officer brought in a thin folder. Inside were copies of the catering roster, the estate service schedule, and my time sheet. Felix had requested me by name for the task of handling the funeral flowers.

Not just any waitress.

Me.

"How could he know my name?" I asked.

"Your supervisor provided the roster yesterday morning," Ortiz said. "We haven't established why he selected you."

"He said I was nearest."

"You weren't."

"No."

Ortiz watched me carefully. "Is there anything in your background that might connect you to this family?"

I shook my head. "I grew up in Indiana. My mother cleaned hotel rooms. My father repaired elevators until an accident ended his work. I came to Chicago for better wages. That's my story."

She closed the folder. "Sometimes a person makes an important choice for ordinary reasons. We won't turn your life into a conspiracy without evidence."

I liked her for that.

Outside the station, a black sedan waited at the curb. My heart jumped before I recognized Marco beside it.

"I didn't ask you to come," I said.

"I know. Aleandro asked me to deliver something."

He offered me a plain white envelope. Inside was a letter written in a shaky but elegant hand.

Emma Sterling,

I have been told that you chose to speak to the police. You did the right thing. I have also been told that I held you at the estate against your wishes. I apologize. You owe me nothing. If you ever choose to speak with me again, it will be on your terms.

Aleandro Caruso.

There was no money. No demand. Not even a request to call.

"Tell him I received it," I said.

Marco nodded but did not leave.

"What?"

"Felix is missing."

I gripped the envelope. "Since when?"

"The patrol officers found his room empty at dawn. His wallet and coat were there. His car was still in the garage."

"He told me he was frightened."

"Of whom?"

"He didn't say."

Marco looked toward the station entrance. "Then you should tell Ortiz exactly what he said."

I did. Within minutes I was back in the interview room, repeating the last conversation at the estate.

Ortiz asked whether I had noticed marks on Felix's hands, any sign that he had been injured.

I remembered the gloves.

"He wore gloves indoors," I said. "Black leather. Even when he was arranging flowers."

"Was that unusual?"

"He didn't arrange them. He told other people to."

Afterward, Ortiz arranged a ride home. I declined the car Marco offered. I did not want gratitude to become another form of obligation.

But as I reached my apartment building, my phone buzzed with a photograph from an unknown number.

It showed the funeral flowers from a different angle. I could see my own black sleeve, my hand reaching toward Aleandro's neck, and a blurred figure behind the casket.

A second message followed.

I did not send you there to make you a target. Look at the man behind the flowers. He removed the card.

There was no signature.

I enlarged the image until it turned grainy.

The figure was not Felix. It was a man with a dark mourning coat and a narrow gold pin at his collar.

I had seen the pin before.

Matteo Caruso wore one when he addressed the mourners.

Then another message arrived.

If you tell him I am alive, I will never see the evidence again.

I stood in my apartment doorway, with the key still in my hand.

May you like

Felix had disappeared, but he was sending me photographs.

And the envelope missing from the lilies had apparently mattered enough for Matteo Caruso to steal it in a crowded ballroom.

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