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Chapter 4 - The Photograph I Almost Didn't Take

The first morning in Lisbon smelled of coffee, damp stone, and fresh bread.

After the noise of the airports, our small hotel felt remarkably quiet. Pale light filtered between buildings with tiled facades. Joyce stood beside the window studying a map, already deciding which route would take us past a bakery before we joined the others.

I'd imagined this morning with Charles so many times that I thought arriving alone would make it unbearable.

Instead, I felt two things at once.

I missed him.

And I was glad to be there.

Our group walked through narrow streets toward a viewpoint where the rooftops descended toward the river. Joyce took pictures of flowers spilling from balconies. I stopped to watch a shopkeeper carry chairs onto a terrace. Nothing remarkable happened. No one urgently needed me.

That simple fact felt unfamiliar.

I took out my phone to photograph the view, then hesitated. I was so used to sending pictures of my grandchildren to relatives that photographing something entirely for myself almost seemed indulgent.

Joyce appeared at my shoulder.

"You're going to want proof you stood here," she said.

She took my photograph with the river behind me.

In it, I was smiling. Not politely. Not because someone had asked me to. Just smiling.

I looked at it longer than I expected.

At lunch, Patrice called during a break between the tour and our afternoon museum visit. It was still early morning for her.

"Everyone slept," she said. "Maggie woke up once and asked for the nightlight. Finn's socks are apparently never where a reasonable person would put them. Chloe has been arranging my books by color."

"And Eli?"

"Made toast and asked whether I was sure I didn't need him to cook breakfast. I told him I appreciated the offer but he could sit down."

Her voice softened.

"They've noticed something, Myrna. The older ones, especially. But they're all right."

I asked about the agency.

"Sofia's references checked out. She came by for an introduction with me on the telephone while the children were present. The overnight caregiver is named Marisol. Tori and Caleb have signed the contract and paid the deposit. I'll take the children back to their house Sunday afternoon, stay for the handover, and visit on Tuesday."

It was more careful planning than I had heard from my son in weeks. Patrice had demanded it. Their parents had finally provided it.

"Thank you," I said.

"You already thanked me yesterday."

"I know."

"Then send me a picture of something pretty. Preferably something that isn't a picture of the children."

I sent her the one Joyce had taken.

Within minutes, she replied: There's the woman who booked the trip.

I put the phone away for the museum. I didn't check it again until the evening, when the group returned to the hotel and I discovered a voice message from Chloe.

"Hi, Grandma. Grandma Patrice says we can call after dinner. I hope Portugal is nice. I wanted to ask if you went there because you don't want us around anymore. You don't have to call back if you're busy."

I sat on the edge of the bed.

Hearing her try to sound grown-up made my throat tighten. The question was not hers alone; it was the kind of fear children developed when they saw adults upset and searched for the part they might have caused.

I called Patrice before calling Chloe.

"Did someone tell her that?" I asked.

Patrice was quiet. "Tori told the children she was disappointed that you wouldn't stay. I reminded her this morning not to put that on them. Chloe overheard enough to ask me whether disappointed means you stop loving somebody."

I looked across the hotel room at Charles's old leather notebook on the bedside table. I'd packed it without telling anyone, afraid the object would seem too sentimental.

"Can I talk to her?"

"Of course. They're finishing dinner."

Chloe appeared on the video call beside her rabbit, her hair tied back in an uneven ponytail.

"Hi, Grandma."

"Hello, sweetheart. I heard your message. I want to answer your question properly."

She nodded.

"I came to Portugal because I wanted to see it," I said. "Your grandpa Charles and I hoped to come here together. I still wanted to make that trip. It doesn't mean I love you any less."

"Even though we showed up at your house?"

"Especially then. You didn't decide to show up. You're a child. The decisions about where you stay and who looks after you belong to grown-ups."

She was quiet, considering that.

"Can you still come to my school concert?"

"When is it?"

"Next month. On a Friday."

"If you tell me the date, I'll check my calendar and let you know. I'd love to be there if I'm free."

She smiled a little.

A year earlier I might have said of course without asking the date. I knew now that keeping a promise mattered more than making one immediately.

Finn pushed into the picture. "Grandma! Are there chicken nuggets?"

"I haven't looked, but I've seen plenty of chicken."

"That's not the same," he said solemnly.

Maggie appeared next, demanding to see a seashell. I promised to look when we reached the coast, not to find one before we'd been there. Eli waved from behind them, then stepped away so his siblings could talk.

After we said goodbye, I remained on the bed with the phone in my hand.

I wanted to call Tori and demand why she'd told the children she was disappointed in me. It would have satisfied my anger for perhaps five minutes. It would not have changed what Chloe needed most: steady adult behavior.

Instead, I wrote to Caleb and Tori together. Chloe asked whether my trip means I don't love her. Please reassure all four children that no disagreement about childcare is their responsibility. Don't discuss our conflict through them. We can talk about it directly when everyone is home.

Caleb replied: I'm sorry she asked that. We'll speak to them.

Tori did not reply.

I put on my coat and met Joyce downstairs. We found a small restaurant where a woman at the next table recommended a soup I could not pronounce correctly. I ordered it anyway.

At the hotel later, I opened Charles's notebook. On the page marked Portugal, he had written in his slanting handwriting: Take the picture, even if the weather is bad.

Charles had spent years documenting family vacations in photographs from which he was usually missing. He stood behind the camera until I'd forced him into the frame.

I looked again at my photograph from the viewpoint.

I was in it.

On the next page, beneath a note about the Algarve coast, he'd written something else: Don't wait for a perfect season. There isn't one.

May you like

I ran my finger beneath the words.

Then I turned off the light and slept, knowing tomorrow's tour would begin without anyone asking me to leave it early.

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